The American Jules Olitski developed a process of spraying paint and pigments on canvas from 1964 that allowed him to structure the surface and play with the depth of the paint using a spray gun. After representing the United States at the Venice Biennale two years later, he continued to experiment and refined this technique, wanting colours to float in the air.
Fondation Gandur pour l'Art collection
For more information: a catalog was published on the occasion of the exhibition At the heart of abstraction. Fondation Gandur pour l’Art collection
Editor: Fondation Maeght
Prefaces: Adrien Maeght and Jean Claude Gandur
Texts: Yan Schubert and Lucie Pfeiffer
Reproduction of all exhibited works