In the case of Daniel Dezeuze, whose thinking on painting was “combined with an admiration for the work of the American minimalists”, cutting the canvas represented a desire to break from the “screen-surface” of the painting as early as 1967 and to “confront real space”, allowing the stretcher to appear.
Fondation Gandur pour l'Art collection
For more information: a catalog was published on the occasion of the exhibition At the heart of abstraction. Fondation Gandur pour l’Art collection
Editor: Fondation Maeght
Prefaces: Adrien Maeght and Jean Claude Gandur
Texts: Yan Schubert and Lucie Pfeiffer
Reproduction of all exhibited works