Florence Monnier

Alfons Schilling

Alfons Schilling, Ohne Titel, huile sur toile, 1960-1961, 223 x 253,2 cm Alfons Schilling Born in Basel but trained in Vienna, Alfons Schilling, like Judit Reigl, was interested in centrifugal and centripetal movements in paint. Before moving to New York in the autumn of 1962, Schilling stayed in Paris for several months from December 1961, […]

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Judith Reigl

Judit Reigl, Les Huns (série Écriture en masse), huile sur toile, 1964, 207,5 x 230,5 cm Judit Reigl Paris attracted not only American painters, but artists from all over Europe, such as the Hungarian Judit Reigl, who arrived in the capital in 1950. During her first years of exile, she produced several important series. In

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Materiality

Christo, Jean Dubuffet, Conrad Marca-Relli, Georges Noël, Léon Zack, Antoni Tàpies, Simon Hantaï Materiality Impressed by the effect of Fautrier’s work, Jean Dubuffet invented his own pictorial language, based on cheap materials that gave life to sculptures made of clinker such as Savonarole and landscapes made with dead leaves. Antoni Tàpies combined oil with sand

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Experimentations

Alberto Burri, Lucio Fontana, Salvatore Scarpitta, Manuel Rivera, Mimmo Rotella, Jean Tinguely, Pol Bury, Piero Manzoni, César, Emilio Vedova, Raymond Hains Experimentations While the Italian artist Emilio Vedova extended his format with a violent and explosive triptych coloured with energetic paintbrush bursts, his compatriot Alberto Burri used jute cloth with bright red acrylic and salvaged

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Dialogues

Dialogues This section includes, for example, works by Hans Hartung, a German artist who took French nationality, containing wide black bands that give structure to the pictorial space, the compositions painted from initial studies. This structure is reminiscent of the works of his contemporary, Gérard Schneider, a Swiss artist and another pioneer of lyrical abstraction.

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