Abstraction in Europe: a German collector’s choice

Abstraction in Europe: a German collector’s choice
9 April > 13 June 2011

 

From 9 April to 13 June, the Maeght Foundation is holding an exhibition dedicated to Abstraction in Europe. This exclusive exhibition will display works from a German private collection. Revealed for the first time in France, this ambitious collection gathers over 80 artworks (paintings, drawings and sculptures) and other work which shows the different facets of geometrical abstraction during the first half of the 20th century.

Geometrical abstraction is seen here through its international connections. The collection gives a varied and pertinent overview of artistic exchanges between Western and Eastern Europe from 1909-1910 to 1950 and points to the boomerang effect of these influences. More than 30 artists are represented, a majority of whom are Russian (Kandinsky, Malevich, Tatlin, Rodchenko, Popova, Goncharova) and from Eastern Europe (Kupka, El Lissitzky). The flight of many of these artists under the Nazi regime helped to bring about the international reputation of geometric abstraction.

Constructivism is shown here in the work of individuals as well as the various currents of geometric abstraction. There are the great Bauhaus names such as Josef Albers and Lászlo Moholy-Nagy, those representing Abstraction-creation like Max Bill, and finally the members of the De Stijl group with Georges Vantongerloo who are also part of this collection of modern art.

Wassily Kandinsky, represented with works of exceptional quality, occupies a particular place in this artistic context, because his work is in some ways the meeting point between East and West. Similarly, the Russian artist Alexandra Exter develops her own plastic language which integrates the artistic influences of both Cubism and Futurism. Finally, Kasimir Malevich and his Suprematism also provides a bridge between East and West. The work of Natalia Goncharova is also a particularly Russian form of Cubo-futurism while at the same time being at the frontier of what is known as Rayonism. The artist’s life illustrates the undeniable attraction of the French capital for European artists before the war: she went to live in Paris in 1917.

This is a homogenous collection with a particular geographical and historical character. It gathers a choice of works perfectly illustrating the artistic trends in Central and Eastern Europe during the first half of the 20th century. The exhibition is also based around manuscripts from certain artists: 50 books, artistic manifestos from the Russian avant-garde or illustrated books whose iconography and typography reflect the highly avant-garde aesthetic of constructivism.

This private collection has been lent exclusively to the Maeght Foundation to be shown to the public for the first time in France. It has only ever been on public display three times and only in German speaking countries: in 2001 at the Kunstmuseum Winterthur in Switzerland and in 2006 in Germany at the Kunstmuseum Bonn, then at the Staatliches Museum of Schwerin.

The collection displays unique items (paintings, sculptures and drawings on paper) which the German collector has built up over the years, and to which further items are added in order to give the most complete overview of the artistic interactions and exchanges taking place within Europe during the first half of the 20th century.

Abstraction in Europe: a German collector's choice – 9 April > 13 June 2011
Exhibition curator: Markus MUELLER
 

 

 

 

V.Kandinsky_Tension_noire_1925__Adagp_Paris_2011_web

 

Vassily KANDINSKY, Tension noire, 1925, Encre de Chine et gouache sur papier; 46x33cm
© Adagp Paris 2011

Information

Fondation Maeght
623, chemin des Gardettes
06570 Saint-Paul de Vence, France
Tel : +33 (0)4 93 32 81 63
Fax : +33 (0)4 93 32 53 22
E-mail : contact@fondation-maeght.com

Parking, bookshop, library, cafeteria.

Information and booking for groups :
Phone : +33 (0)4 93 32 81 63
Fax : +33 (0)4 93 32 53 22
accueil@fondation-maeght.com

 
Open every day, without exception:
October-June: 10 am - 6 pm
July-September: 10 am - 7 pm
The ticket office closes 30 minutes before closing time.
The Maeght Foundation will closed at 4 p.m on December 24th and 31st.
 
"Café F" is open for lunch or snack. Opening hours according to the season.
Information 04 93 32 45 96. Café F is closed from 17 to 28 November.
 

Entrance fees

Adults:  €15
Groups (more than 10 people), students and under 18 years old :  €10
Children under 10:  free
Filming and photography:  €5
Between two temporary exhibitions, some rooms can be closed to the public. The fee is reduced accordingly.

How to find us

By car A8 motorway:
From Cannes: exit n° 47 Villeneuve-Loubet, Cagnes-sur-Mer, Vence.
From Nice or Italie : exit n° 48 Cagnes-sur-Mer, Vence.
Follow signs to La Colle-sur- Loup / Vence. The Maeght Foundation is before the village of Saint-Paul-de-Vence.
 
By bus:
From Nice: bus n° 400 (Nice-Vence by Saint-Paul).
Stop Maeght Foundation.
 
Airport : Nice Côte d’Azur
Train station : Cagnes sur Mer
 
 
 
Societe Generale is a partner of the Fondation Maeght.

Logo Societe_generale_site_webFM

Go to the website of the Société Générale's Collection

http://www.collectionsocietegenerale.com/en/